Review of my practice written by a tutor

Record of Observation or Review of Teaching Practice         

 

Session/artefact to be observed/reviewed: 26-02-2024.

Room: EB506, Stratford, 12:30-1:30

Size of student group: 15

Observer: Lindsay Jordan

Observee:Zoi Zoupanou

Part One
Observee to complete in brief and send to observer prior to the observation or review:

What is the context of this session/artefact within the curriculum?

The Qualtrics introduction workshop (3 hours) is integrated into the Quantitative Methods unit of Fashion Psychology within the Psychology of Fashion bachelor’s degree program. Students will use it to collect data as part of assessment 2 in the Unit.

The unit leader will offer an extra workshop in March 2024 as a continuation of generating a survey.

How long have you been working with this group and in what capacity?

This workshop serves as an independent introduction to Qualtrics. It marks my first occasion delivering Qualtrics instructions for this specific unit.

As a psychology technician, I specialize in conducting workshops that cover both qualitative and quantitative research methodologies.

What are the intended or expected learning outcomes?

1.To conduct quantitative research with participants, including data collection and analysis, and consider implications, applications and limitations of this research

2. Contribute constructively to collaborative work and acknowledge the influences of psychological processes and behavior on group work

3. Demonstrate an understanding of quantitative research methods and their application to psychological research as applied to the fashion industry.

What are the anticipated outputs (anything students will make/do)?

Students will engage in paired exercises to practice creating various types of questions, determining the number of choices, editing questions and responses, and renaming blocks.

Students will actively participate in defining choices, editing questions and responses, and renaming blocks through practical exercises.

Are there potential difficulties or specific areas of concern?

This is my first interaction with this group of Year 1 students, and I have yet to become acquainted with them. My only opportunity to engage with this cohort of students (Year 1) was during the induction week beginning of the academic year.

How will students be informed of the observation/review?

I will inform the students in the classroom about the arrival of Lindsay Jordan, who is a colleague, and is here to observe my teaching.

What would you particularly like feedback on?

Feedback should be provided regarding the application of Qualtrics to facilitate learning experience for students.

Feedback should be supported by evidence and demonstrate how it enhances student engagement with Qualtrics.

Additionally, feedback should cover the preparation of teaching materials and the learning environment.

How will feedback be exchanged?

Feedback to be communicated in written form through a record of observation review.

Part Two

Observer to note down observations, suggestions and questions:

You did great, Zoi! You were well-prepared with suitable resources and activities, and while some of the students took a while to get going, most of them were on task most of the time. It was a long session in total (3 hours), so I’d be interested to hear how the rest of it went.

Teaching a computer-based application using the demonstration-and-click-along method can present loads of challenges. One is getting a sense of how everyone is doing, and not being able to tell if your students are on task. The desk layout is generally an important factor and isn’t something we can often do anything about in a computer room. Do you remember in the PgCert inductions, we were in a room with rows all facing the front? This was great for me, because I could just walk up from the back of the room and see immediately what everyone was doing. In contrast, in this room you need to keep moving in an E-shape to check on everyone. You could experiment with using coloured paper cups – each person or pair has a stack which they can turn to amber or red if they need your assistance (It’s a Dylan Wiliam idea: https://youtu.be/lX0JEZ3Pgk4)

Another challenge with the point and click demonstration approach is that it’s quite draining for the teacher, who has to stand up the front and perform all the time, as well as checking progress and trying to adapt to the range of levels of experience in the room. So it’s worth considering: is this the best way of teaching this—for them and for you? Are there alternatives? What are they?

This was the first time you have taught these students, and you have three hours with them, which is plenty of time to start connecting with them as individuals and building a relationship. It may not seem like worth the effort — you may never see them again! But it may well make those three hours more pleasant, engaging, and effective. You don’t have to use name stickers or shout people’s names out over the classroom; you can simply say ‘hello, what’s your name’ before you interact with anyone, for example when you are walking around, or if they put their hand up to ask you a question. Then use their name as often as you can. You can say ‘Hello, what’s your name?’ [Becky] ‘Becky. Show me where you’ve got to, Becky.’ Or ‘Hello, what’s your name?’ [Luigi] ‘Luigi. What’s your question, Luigi?’ It doesn’t even matter if their name goes out of your head again instantly (although it probably won’t). Just say, unapologetically, ‘remind me of your name’ the next time you interact. It honestly makes the world of difference to a student to feel that the person teaching them doesn’t just see them as another body on the conveyor belt.

One student arrived around 15-20 mins late, another one 20-25 mins late. You didn’t acknowledge them, probably because you were focused on what you were doing. Some teachers tell me that they feel a sense of judgement when a student arrives late. Others might feel personally affronted that the student didn’t feel their class was worth turning up on time for, to the extent that it injures their self-esteem, which they deal with by shutting off to it. I don’t know if you relate to either of those reactions? You might well be like me and happily assume that they did their best to get here on time, or they had a timetable clash, or whatever. I would recommend in any case that latecomers are welcomed and assisted in some way. Have a think about what that assistance might look like at various stages of the class, and what resources might be needed.

I saw the following indicators of engagement:

  • Students asking/answering questions
  • Students complying with your diagnostic questions
  • Students looking at what you’ve asked them to look at

I saw the following indicators of disengagement:

  • Students looking at their phones
  • Students talking to each other while you are talking
  • Students not responding when you ask open questions e.g. ‘Ten minutes? Ten minutes, is that ok?’

In summary, I would say that your current approach is working for these students. However, it is demanding of you, and there is both a high risk of engagement failure and a high cost. For example, the low-level chatter from two female students in the middle of the room for the first 20 mins or so, although quiet, is distracting and makes it harder for everyone else to follow what you are saying. Did you consider asking them to stop? How would you haveapproached it? How could you have approached it?

Around 1.30 when some more chattering started up from different places in the room. You took the cue to call a break, which made sense. It is a long session.

That’s about it! Let me know what you think 🙂

Part Three

Observee to reflect on the observer’s comments and describe how they will act on the feedback exchanged:

Dear Lindsay,

Thank you for your valuable insights and feedback.

After the break, I implemented a peer-to-peer learning approach by organizing group activities where students collaborated to share ideas and set up their questions online. This method encouraged them to learn from each other’s experiences. Additionally, I utilized tutorial videos outside of class time, reserving in-person sessions for discussions. I reminded students to attend open class sessions every Wednesday, where I act as a facilitator guiding students through an inquiry process, providing individualized support as needed.

I appreciate your suggestion regarding monitoring student engagement in a computer-based teaching environment. Inspired by Dylan Wiliam’s idea, I plan to implement coloured paper cups as a signalling system. Green will indicate “all good,” amber for “questions, but can wait,” and red for “immediate assistance needed.” Regular check-ins during class will allow me to observe and address students’ needs promptly, adapting my teaching approach in real-time based on feedback from the signals.

Regarding alternative teaching approaches, I emphasized the availability of open class sessions where students can engage in inquiry-based learning independently, with my support as a facilitator. Additionally, I will explore using technology to provide online tutorials to supplement self-directed learning and offer individualized support.

Addressing students by their names and supporting latecomers are essential for fostering a sense of connection and inclusion. I did not ask the latecomers when I delivered teaching because I thought it was good they came even late, and that probably had problems with the transport.

I could greet latecomers as they enter the classroom with a smile and a welcoming gesture. And acknowledge their presence and reassure them that they have not missed much. I will make an effort to  brief them discreetly on any missed instructions. I could check in with latecomers after class if they need any assistance catching up on missed content and will be available to answer their questions after class.

To re-engage disengaged students who are looking at their phones, talking to each other, and not responding to open questions, I will incorporate group discussions, hands-on experiments, debates, and problem-solving tasks. Encouraging active participation and providing opportunities for questions and clarification will be a priority.

Dealing with low-level chatter in the classroom requires a tactful approach. I will use non-verbal cues such as making eye contact or pausing momentarily to signal to the students engaging in chatter that their behaviour is disruptive. Restating classroom expectations regularly will reinforce the importance of respect and attentiveness during instruction.

Thank you once again for your suggestions. I am eager to implement these strategies to enhance the learning experience for all students.

Posted in Observations | Leave a comment

Review of my practice written by a peer

Record of Observation or Review of Teaching Practice          

 

Session/artefact to be observed/reviewed:26/02/2024.

Room: EB506, Stratford, 3-4

Size of student group: 15

Observer: Syahrizal Shafie

Observee: Zoi Zoupanou

Part One
Observee to complete in brief and send to observer prior to the observation or review:

What is the context of this session/artefact within the curriculum?

The Qualtrics platform serves as a tool for crafting surveys aimed at collecting data.This two-hours workshop is a component of the Quantitative Methods unit within Fashion Psychology and students will collect data through Qualtrics for their assessment 2.

The Quantitative Methods unit is included in the curriculum of the Psychology of Fashion bachelor’s degree, with first-year students enrolled in this course.

How long have you been working with this group and in what capacity?

This marks my second occasion delivering the workshop within 2024. I have previously worked once in the quantitative methods of Fashion psychology, but I have also contributed to several other units within the BSc Psychology of Fashion over the past few years.

I specialize as a psychology technician, actively organizing seminars and workshops that concentrate on both quantitative and qualitative research methodologies for bachelor’s and master’s degree programs in Fashion psychology.

What are the intended or expected learning outcomes?

1.To conduct quantitative research with participants, including data collection and analysis, and consider implications, applications and limitations of this research

2. Contribute constructively to collaborative work and acknowledge the influences of psychological processes and behavior on group work

3. Demonstrate an understanding of quantitative research methods and their application to psychological research as applied to the fashion industry. Top of Form

What are the anticipated outputs (anything students will make/do)?

To provide students with hands-on experience in editing survey questionnaires within Qualtrics platform.

To facilitate paired student collaboration in uploading questionnaires, as well as editing questions and responses.

Are there potential difficulties or specific areas of concern?

This is my second encounter with this group of students (Year 1). Extra time will be needed to address troubleshooting tasks and to hold supplementary workshops for additional practice.

The leader of the unit will provide an additional workshop as a continuation of the process for generating an online survey and addressing any issues that may arise .

How will students be informed of the observation/review?

I will notify the students in the classroom about the attendance of my colleague, Syahrizal Shafie, who is present to observe my teaching.

What would you particularly like feedback on?

Feedback should be grounded in evidence and focus on enhancing students’ engagement with Qualtrics.

Feedback should focus on encouraging students to actively participate.

Feedback should also encompass the preparation of instructional materials and the learning environment.

How will feedback be exchanged?

Feedback to be communicated in written form through an observation review record.

Part Two

Observer to note down observations, suggestions and questions:

Student engagement:

Zoi provided a clear and engaging introduction, welcoming the student by asking her name and assist the student to go to the Moodle page and go thru the presentation and activities.

She well-prepared and had helped the student to troubleshoot the technical issue of the computer, Zoi started the day’s lesson by briefly reviewing what she is going to teach and highlighting the importance part of the topic.

There seems to be a great teaching dynamic, which sets the tone for an overall positive atmosphere. I think it is a great idea to let the student knows what to expect in the entire course.

Student appeared calm, engaged, and followed the instruction properly.

Teaching method:

Zoi used a variety of teaching methods, lecture, hands-on activities, demonstration and white board. Therefore, all the activities used throughout the lesson were successful in engaging the student and promoting their understanding of the learning objective by student participation throughout the session.

The way the workshop is organised, and the pace of the workshop were great. There was a clear overview slide presentation of what was to be discussed during the session, and this has been clearly explained by Zoi at the beginning of the class. The pace of the session was great, and I think the instruction is so clear and Zoi seems calm and not rushed to finish the task.

Overall:

Based on the observed interaction and student engagement, it is evident that Zoi successfully achieved the overall aims of the lesson and student was really pleased with lesson. Student demonstrated comprehension of the key concepts and were able to apply their knowledge to the Qualtrics survey software.

Suggestion:
It is because the entire session is in IT teaching room and student use a computer in the room. It is advantageous for student to have prior information about using the present computer in the room and get ready with the activities in the Moodle. While this information may have been communicated before the class started but it is good to just checking the student if they can get ready to login to the Moodle and download the material for the teaching lesson before the tutor start the class to avoid the delay with the lesson.

Part Three

Observee to reflect on the observer’s comments and describe how they will act on the feedback exchanged:

Dear Syahrizal,

Thank you for your invaluable feedback and the time you dedicated to observing my teaching practice. Your keen observations have been truly enlightening, prompting me to recognize the importance of being proactive in managing the students’ familiarity with IT computers within the classroom setting. By emphasizing proactivity and ensuring that students become familiar with the technology, I am better equipped to create an efficient learning environment.

Suggestion:

In the realm of proactive student engagement regarding computer practice, I intend to prioritize ensuring students are comfortable with the technology they will be utilizing. To achieve this, I plan to start by asking each student if they are familiar with the computers, we have available in the teaching room. I truly appreciate your emphasis on acquiring prior knowledge about students’ computer proficiency.

Following this, I will provide a brief overview of the operating system utilized on these computers, which is Windows. It is important to gauge the student’s familiarity with this operating system by prompting questions to ascertain if they have experience using it or not as students mostly have Apple computers with operating systems that include iOS, iPadOS or watchOS.

To aid in their understanding, I will write clear instructions on the whiteboard detailing the essential keyboard shortcuts for functions like copy and paste specific to the Windows operating system. In fact, I will write on board the instructions :

i) Copy: press Ctrl+C.

ii ) Cut: Select items and press Ctrl+X.

iii) Paste: press Ctrl+V.

This visual aid can serve as a helpful reference during their practice sessions.

Furthermore, I will inquire if the student know how to log into Moodle while utilizing a UAL computer with Windows in the classroom setting. This ensures they can access necessary course materials efficiently.

Lastly, I will verify if the students are capable of downloading Moodle slides while using Windows as their operating system. This step helps ensure they have the necessary skills to navigate and utilize online resources effectively. To achieve this I will provide step-by-step instructions by creating a video guide demonstrating how to download slides from Moodle. And I will highlight the specific steps for Windows users, such as right-clicking the link and choosing :Save link as… or Download.  Also, I will have a direct communication with students by sending a personalized email to them and will include clear instructions on how to access the slides using Windows as a reminder.

I appreciate your feedback on the warm welcome and clear instructions I provide in my teaching practice. Welcoming students fosters a sense of belonging in the classroom. By structuring lessons around the Qualtrics environment and interactive exercises, students engage with the material and learn to create their own surveys. It is encouraging to hear that you observed a positive classroom atmosphere and that students were satisfied with application of key concepts.

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Review of a peer’s practice

Record of Observation or Review of Teaching Practice         

 

Session/artefact to be observed/reviewed: 04/03/2024

Room/Space: 6th Floor IT Space

Size of student group: 12

Observer:Zoi Zoupanou

Observee: Syahrizal Shafie

 
Note: This record is solely for exchanging developmental feedback between colleagues. Its reflective aspect informs PgCert and Fellowship assessment, but it is not an official evaluation of teaching and is not intended for other internal or legal applications such as probation or disciplinary action.

Part One
Observee to complete in brief and send to observer prior to the observation or review:

What is the context of this session/artefact within the curriculum?

As part of the Learning Technology department, we have collaborated with Fashion Business School and School of Media and Communication to introduce students to ACPro course including InDesign, which is an application used for designing print and digital layout program which integrates seamlessly with other Adobe design programs. As part of this course, students will construct a four-page newsletter for a different theme in the process of gaining familiarity with InDesign’s interface and many of the tools and techniques commonly used to design a publication.

InDesign will deliver creative freedom, added value, skills, and productivity to their course. As part of the curriculum, students will register for the course online and will align with independent projects supplement and hands-on classroom work.

How long have you been working with this group and in what capacity?

This course is intended to be a one-off session for 4 days and including one day for the preparation of the exam and progressing to the online exam at the end of the course.

What are the intended or expected learning outcomes?

By the end of this course, students should be able to:

Demonstrate knowledge of basic design principles and best practices employed in the design industry. 

Demonstrate a knowledge of the principles of the Adobe InDesign software package.

Demonstrate an ability to use the key features of the Adobe InDesign software.

Explore more advanced layout and typographic controls and how to create multi-page documents efficiently.

What are the anticipated outputs (anything students will make/do)?

To provide students with hands-on experience in InDesign to create and apply object styles for their printed and online materials and lay out a double page spread for the course designs.

Are there potential difficulties or specific areas of concern?

The space would be an open space, which means there is a possibility of elevated noise levels that may cause distractions. Students might find the space is too noisy, resulting in a loss of attention in the classroom.

How will students be informed of the observation/review?

I will notify the students in the beginning of the session about the attendance of my colleague, Zoi Zoupanou

What would you particularly like feedback on?

Feedback should be grounded in evidence and focus on enhancing students’ engagement with InDesign and teaching practice.

Feedback should focus on encouraging students to actively participate.

Feedback should also encompass the preparation of instructional materials and the learning environment.

How will feedback be exchanged?

Feedback to be communicated in written form through an observation review record.

Part Two

Observer to note down observations, suggestions and questions:

Hi Syahrizal,

I attended your Adobe InDesign presentation for Year 3 students in BA Fashion Imaging and Illustration. I provide feedback on subheadings based on what you asked me.

General

Your open body language and warm speaking style were welcoming.  You greatly gave a clear guidance to students on starting Adobe InDesign with Moodle.

Instructional materials.

I observed that you distributed a two-dimensional coordinate plane to students for examination. You clearly explained the concepts you presented, such as describing a two-dimensional representation of a tennis ball.

Teaching practice

You began by inquiring about RGB and CMYK knowledge. You clarified that RGB involves additive color synthesis (red, green, blue), while CMYK utilizes subtractive color synthesis (cyan, magenta, yellow, black). Using examples, you illustrated the concepts, accompanied by slides showing coloured circles for further explanation. You clarified that ABC in graphic design stands for aesthetic, balance, and content principles, using slides to illustrate the concepts. Lastly, you checked in with students for understanding and questions.Have you considered to write down any acronyms on a board or on coloured sheets of cards so students memorize them easily.  You used greatly visual aids in InDesign, mentioning Warhol, Dali, Manrique, vans, and lollipops for increased engagement.

Encouraging Students to actively participate: Key terms

You invited students to express their comfort with the terminology and encouraged them to ask questions, giving them adequate time to do so. Using large, coloured cards with key terms like RGB and CMYK displayed on the wall might facilitate quicker student engagement. You presented various image file formats like JPEG, TIFF, BMP, and GIF in relation to their usage which added practical relevance to the presentation. Students interchanged ideas by asking questions.

 Students’ engagement with Adobe InDesign and teaching practice

You prompted students to contribute their understanding or insights about InDesign by asking them questions ‘‘Does anyone have any information to share regarding In Design?’’

After introducing concepts like layout, pixels, or RGB, you promote discussion with students and invite them to ask any questions they may have.

During the Adobe InDesign session, students remained attentive in the open area. Providing headphones for their Macs might help sustain their engagement throughout the  four days duration.

Learning Environment

The room’s location by stairs made talking hard sometimes. People passing by caused short interruptions. But the noise stopped soon. Your presentation started with an InDesign video which was vivid and engaging. Slides were mostly pink, which I found intense. Have you considered to change the colour to a soft one? You traced Adobe InDesign’s history to 1500, citing Da Vinci’s Vitruvian Man. Used Matisse’s art to demonstrate proportions and millimetres design principles. You informed students about InDesign’s history, including logo evolution since 1998, like the “Id” logo.

You showcased illustrations that distinguished the functions of Photoshop, InDesign, and Illustrator for design.

To sum up, the atmosphere in classroom was harmonious, and students were engaged. Feel free to share how we you improve from this experience.

Part Three

Observee to reflect on the observer’s comments and describe how they will act on the feedback exchanged:

I sincerely would like to thank you to Zoi for agreeing to observe my teaching session and for providing such constructive and valuable feedback. I truly appreciate your time and commitment, and I look forward to collaborating with you on future teaching sessions.

Your feedback regarding my open body language and warm speaking style were particularly helpful. I acknowledge that I felt nervous at the beginning, as it has been a while since I’ve delivered a teaching session. Remaining calm requires continuous practice and the support of those around me. Additionally, I value your suggestion about addressing my concerns related to voice projection due to the nature of Open Space learning environment. Additionally, I will always check with students throughout the session to ensure they can hear and understand me clearly, as I unintentionally lowered my voice at one point without realised it.

I completely agree with your recommendation to utilise a board or sheet of cards to enhance student understanding of acronyms. This is a brilliant learning method that I will implement in my next session. I also plan to combine PowerPoint slides, a whiteboard, and post-it notes to create a more interactive and engaging learning experience for the students.

I also appreciate the feedback about the color scheme of my slides. The dominant pink color might not be the most inclusive choice (I might be potentially influenced so much with Barbie movie). I will consider using a different or softer color palette for future presentations.

Finally, I agree that providing headphones as an option for students who might struggle to hear clearly is a valuable suggestion. I will offer headphones during my next session to those who may benefit from them, particularly students seated further back in the classroom.

Overall, your observation not only highlighted areas of strength in my teaching practice but also offered valuable recommendations for improvement, which I am committed to implementing in future sessions.

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Case Study 2: Plan for and support student learning through appropriate approaches and environments.

Introduction & Background

In the 2024 MSc program in Applied Psychology in Fashion, I have the opportunity to introduce eye tracking technologies in the Research Methods Unit for the first time. Students undertaking projects that involve eye tracking must familiarize themselves with this technology.

Evaluation  

I aim to create a hands-on learning environment where students can interact directly with eye tracking equipment, inspired by Biggs’ constructive theory (2003, p.13). The workshop will include hands-on exploration of the equipment (Figure 1) and instructional videos. Following guidance from the course leader, I plan to organize an introductory workshop on eye tracking hardware, and open access sessions. My challenge is to effectively demonstrate how eye tracking technology can be used in different teaching methods, helping students understand its potential dissertation applications.

Eye tracking hardware
Figure 1. Tobii Pro Spark Eye tracker

Moving Forward

To support learning outcomes LO1, LO2, LO3 and LO4 in the research methods unit, I plan to conduct a workshop and seminar introducing students to Tobii Pro Spark, a portable eye tracker ideal for psychology research (Tobii ProSpark, 2024).I will facilitate hands-on sessions inspired by Orgill’s object-based learning approach (Orgill, 2024), promoting sensory engagement with teaching materials. Drawing from Hardie’s findings on the pedagogical value of experiential learning (Hardie, 2015, p. 19), I will enhance student participation by demonstrating eye tracking’s applications with fashion images sourced from “Fashion Designers A-Z” and adjust backgrounds to white using Paint (Figure 2).

women fashion suit
Figure 2. Yves Saint Laurent fashion suit

During the workshop, I will demonstrate practical applications of eye tracking to students. We will engage in exercises together, such as inserting images into Tobii Pro Spark (Figure 3), where they’ll have the opportunity to adjust size, color, and position (Figure 4). Next, students will collaborate in groups to summarize their key learnings and any areas of confusion on Padlet, as suggested by Angelo and Cross (1993). This will facilitate dialogue with students and offer feedback on my teaching approach for potential adjustments.

Figure 3 Timeline with images
Figure 3. Eye tracking Timeline with images
Figure 4 Manual areas of Interest
Figure 4: Creating areas of interest with eye tracking

Students’ introspection will offer valuable perspectives on the challenges associated with eye tracking, both during and after the process. This methodology resonates with Amulya’s (2004) argument that reflecting on uncertainties fosters learning opportunities. Consequently, I can identify ‘‘learning edges’’ where students require additional comprehension. Moreover, this method will craft tailored problem-solving strategies, giving students valuable insights into practical approaches.

To aid dissertation development in line with LO3 for data analysis, weekly open lab sessions will be held. Students struggling with eye tracking will generate one-minute paper questions, inspired by Angelo and Cross’s (1993) feedback approach. They will then identify actionable steps within the lab.

To explore eye tracking literature, I will suggest the ” Scientific publications with Tobii eye tracking – Tobii”  link. It offers research articles in Psychology & Neuroscience and Computer Science Research, inspiring potential research topics. Also, I will advise attending online webinars for more insight. Links such as Tobii Webinar – Cognitive psychology research – Tobii ” and videos on”  Tobii Pro Glasses 3 | Latest in wearable eye tracking – Tobii”  will be shared.

References

Amulya, J.(2004) What is reflective practice. Community Science. Available at https://www.researchgate.net/publication/229021036. Page uploaded by Joy Amulya on 06 June 2018.

Angelo, T., Cross, P. (1993) Classroom assessment techniques. San Francisko: Jossey Bass Publishers.

Biggs, J. (2003) Teaching for quality learning at University .2nd edition. Buckingham: Society for Research into Higher Education and Open University Press. Available at: https://www.researchgate.net/publication/215915395.

Hardie, K. (2015) AdvanceHE. Innovative Pedagogies series:Wow:The power of objects in object-based learning and teaching. Art University Bournemouth.

McKie, A. (2024) Reflect on this or that. Enabling space for reflection in the creative arts. Academic Practice Event Series 2023-2024.Available at XPE Feb 2024: Reflective Practice (panopto.eu). 1216a1e7ee653838ba179b1b75be254f5f3b105f (ual-moodle-sitedata.s3.eu-west-2.amazonaws.com)

Steele, V. (2016) Fashion Designers A-Z. The collection of the Museum at FIT Fashion Institute of Technology. Available from www.taschen.com.

Tobii (2024) Cognitive Psychology Research Symposium. Webinar information. Available at https://www.tobii.com/resource-center/webinars/cognitive-psychology-research-symposium(Accessed 17 March 2024).

Tobii (2024) Learn and Support. Scientific Applications. Tobii Publication Library. Available at: https://www.tobii.com/learn-and-support/scientific-publications?product=83,82,81 (Accessed 17 March 2024).

Tobii Pro Spark (2024) Enter the world of eye tracking. Available at: https://www.tobii.com/products/eye-trackers screen-based/(Accessed 17 March 2024).

Tobii (2024) Tobii Pro Glasses 3. Real insights from the real world. Available at: https://www.tobii.com/products/eye-trackers/wearables/tobii-pro-glasses-3 (Accessed 17 March 2024).

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Case study 3: Assessing learning and exchanging feedback.

Introduction & Background

 The workshops I conducted with students were incorporated into the research methods unit as part of a formative assessment. Their purpose was to familiarize students with working with qualitative data using NVivo software and effectively presenting their findings in a written report format.

Evaluation

I introduced students to the layout and features of NVivo, offering visual aids displaying past research (Figure 1, Figure 2) and analyses (Figure 3) within an hour. During the introductory workshop, I facilitated discussions on the goals of the unit and reviewed the assessment guidelines, highlighting the significance of NVivo for online data collection.

Some students found the software beneficial for visually presenting data through charts. However, challenges arose as students requested additional time to delve into data coding and analysis, as well as understanding how to integrate this software into their final research reports.

Matrix codes chart
Figure 1.Matrix Code chart
Word Cloud
Figure 2.Word Cloud
Cluster Analysis
Figure 3.Cluster Analysis

Moving forward

In my second workshop, I will demonstrate coding data from fabricated interview scripts. Students will collaborate in pairs for exercises, with dialogue to gauge their current progress, thus acknowledging their present state of performance as a principle of good feedback (Nicol & McFarlane-Dick,2006).This self-assessment will coincide with tutor feedback (McDonald & Boud,2003), which I will provide to students with learning opportunities throughout.

To focus on resolving software and research issues, I aim to gather internal feedback from students regarding their progress in generating interview questions and  proficiency in data analysis during the process of preparing their research report. To support their research efforts, I have encouraged their participation in weekly open access sessions where I provide guidance on data analysis.

During the first workshop, I instructed students to use Padlet to ask questions about coding data and performing data analysis. They were also required to identify two main insights from the session. This encouraged them to share their comprehension and offered continual feedback for evaluating learning progress. Like Angelo and Cross’s approach of using brief questions to highlight crucial lecture concepts, this technique aids in identifying areas where students may have misconceptions. Additionally, integrating Padlet questions between workshops allows me to refine my teaching techniques based on the feedback received, facilitating adjustments in instructional methods.

I plan to integrate peer feedback, allowing students to learn from each other’s perspectives and engage in self-assessment. This approach fosters reflection on their current progress and the development of strategies for their final research report, aligning with Nicol and McFarlane-Dick’s principles of self-assessment in learning (2006).

I plan to gather feedback from a previously successful student to share their learning journey, providing a reference point for current students to assess their own progress. This aligns with Orsmond et al.’s (2002) methodology of establishing clear objectives. Drawing on past peer feedback can inspire the current students’ perceptions, as suggested by Dweck (1999), promoting reflection on their strengths, weaknesses, and overall progress, as highlighted by Cowan (1999). This introspection will enable students to monitor their self-assessment  before completing the final research report, gaining insights into their own learning methodologies.

References

Angelo, T., Cross, P. (1993) Classroom assessment techniques. San Francisko: CA, Jossey-Bass.

Cowan, J.(1999) Being an innovative university teacher. Buckingham: Open University Press.

Dweck, C. (1999) Self theories: Their role in motivation, personality and development. Philadelphia: PA, Psychology Press.

McDonald, B. & Boud, D. (2003) The impact of self-assessment on achievement: the effects of self-assessment training on performance in external examinations. Assessment in Education,10(2), 209–220.

Nicol, D.J, McFarlane-Dick, D. (2006) Formative assessment and self-regulated learning: a model and seven principles of good feedback practice. Studies in Higher Education, 31(2), 119-218. DOI: 10.1080/03075070600572090.

Orsmond, P., Merry, S. & Reiling, K. (2002) The use of formative feedback when using student derived marking criteria in peer and self-assessment, Assessment & Evaluation in Higher Education, 27(4), 309-323.

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Workshop 4: Learning outcomes and assessment criteria in art and design. What’s the recurring problem? Allan Davies (2012).

This study explores the integration of Learning Outcomes (LO) in Art & Design education, aiding educators in aligning LO development with Quality Assurance Agency(QAA) standards and assessment criteria, marking a pedagogical shift (Davies, 2012). Originating from a 2003 project within the Learning and Teaching Support Network, Davies (2003) suggests that LO encompass cognitive skills, knowledge application, solution analysis, ,communication and IT proficiency. Davies (2012) emphasizes LO should prioritize personal and developmental outcomes, not dictate student activities. Creativity especially in fashion education develops gradually through coursework, where process trumps final product.

In art and design education, learning outcomes include imagination and originality (Davies, 2003). These are central to my teaching, especially in visualizing fashion marketing strategies and conducting customer surveys. In workshops, I demonstrate visualization techniques using NVivo (image 1) and Qualtrics (image 2),an online platform for brand experiences. Though Qualtrics proficiency is not explicitly stated as an outcome, students learn to create surveys and utilize branding imagery within the platform. These workshops offer guidance on survey creation, fostering creative skills. These workshops provide guidance on survey development, nurturing creative abilities. This instructional approach aligns with Dilthey’s concept of “helicopter vision” (1988, p. 19), facilitating a comprehensive understanding by linking individual components to overarching concepts. By gaining insights into consumer behavior through survey analysis, fashion students deepen their comprehension.

Mind map, NVivo
Image 1. Mind Map with NVivo
Mind Map, Qualtrics
Image 2.Mind Map with Qualtrics

I conducted a workshop on Qualtrics for the University of the Arts London’s quantitative research methods unit, highlighting its effectiveness in surveying. One learning outcome focused on contributing constructively to group work and understanding group dynamics (realization). The assessment tasked students with selecting a fashion business research topic, collaborating on data analysis, and submitting a reflective statement. Although Qualtrics use was not specified in the learning outcomes, I demonstrated its application (image 3), facilitated practice exercises, and guided group collaboration in survey creation. This approach enhanced students’ communication and decision-making skills in crafting survey questions, aligning with Davies’s (2003) emphasis on problem-based learning. Encouraging student-centred outcomes and providing reflective spaces for peer feedback further developed their learning skills over time.

creating surveys with Qualtrics
image 3. Creating surveys with Qualtrics

Allocating time for reflection provides valuable insights into student challenges and encourages collaborative improvement efforts (Thompson & Thompson, 2008). I offer opportunities for students to acclimate to open access classes through data analysis activities weekly and provide support during research methods exercises. Teaching students to lead reflection sessions with independent analysis of provided materials fosters a reflective atmosphere in statistics education (Thompson & Thompson, 2008). This approach encourages double-loop learning, enhancing critical thinking skills and fostering self-directed learning.

Moving ahead, encouraging students to provide comprehensive feedback in open-access classrooms fosters increased participation and mindfulness, aligning with Brookfield’s critical perspective (1995) on refining teaching methods. This approach prioritizes shaping learning outcomes through specific feedback, focusing on fostering critical thinking rather than mere engagement. Additionally, emphasizing personal self-awareness aligns with Thompson & Thompson’s principles (2008) on reflective practice for critical practitioners.

References

Brookfield, S. (1995) Becoming a critically reflective teacher. 1st ed. Vol. 79. San-Francisco: Jossey-Bass Publishers.

Davies. A. (2003) Writing Learning Outcomes and Assessment Criteria in Art and Design. University of Brighton, Faculty of Arts, pp. 1-13.

Davies, A.(2012) Learning outcomes and assessment criteria in art and design . What’s the recurring problem. Brightonline student literary Journal,18, University of Brighton, Faculty of Arts.

Dilthey, W. (1988) Hermeneutic circle (p. 19) ,in Thompson , S. & Thompson, N. (eds.) The critically reflective practitioner. Contexts for Reflection. Chapter 3. Basingstoke: Palgrave Macmillan, pp. 55-76.

Hussey, T., Smith, T. (2002) The trouble with learning outcomes, Active Learning in Higher Education, 3(3), pp. 220-233.

QAA (2000). Art and Design Subject Overview Report 1998/2000.

Thompson, S.,& Thompson, N.(2008). The critically reflective practitioner: Context for Reflection. Chapter 3.Basingstoke:Palgrave Macmillan. Available at : ProQuest Ebook Central.

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Workshop 3: Reading Activity (Aims of Art Education):How Art became a Force at Davos, Becker, 2019

In her publication “Essays, Articles & Lectures,” Carol Becker (2019) reflects on her participation at the World Economic Forum (WEF) in Davos. As the Dean of Columbia University School of the Arts since 2007, Becker encountered an art exhibition curated by Hilde Schwab, Chairwoman of the Schwab Foundation for Social Entrepreneurship. Schwab’s dedication stemmed from her belief in the significance of art within multifaceted discussions. Through Schwab’s initiative and similar endeavors, art gained prominence at Davos.

Becker’s leadership in nurturing creativity and establishing a youth leadership program at Columbia University, combined with my personal experiences, highlights the importance of the arts in educational settings. This resonates with my belief in interconnectedness and pedagogy, shaping my teaching to prioritize student autonomy and embrace diversity in the arts. This philosophy aligns with Barnett’s (2021) concept of an ecological university, which emphasizes engagement with various systems and forms of knowledge, fostering critical examination of knowledge’s impact on ontology and epistemology. Moreover, this journey has deepened my understanding of the ontological unity of individuals and the diverse epistemological forms of knowledge.

Artist involvement at Davos, led by photographer Platon Antoniou and The People’s Portfolio established in 2016, visually advocates for human rights.(Platon, 2013, 2016). Platon (2016) actively supports initiatives combating sexual violence against women and girls, aligning with my belief in addressing societal issues through education. This endorsement has influenced my teaching approach, emphasizing interconnectedness within arts projects. Furthermore, I integrate individuals from diverse socioeconomic statuses into my approach, leveraging eye-tracking applications within the business industry to explore societal and fashion transformations.

Recent Davos events showcased installations such as Tomás Saraceno’s Aerocenes and Mehdi Ghadyanloo’s 2019 painting “Finding Hope.” Ghadyanloo’s triptych, symbolizing freedom and a future devoid of barriers, encourages deep reflection, highlighting the continuous learning journey within art (Lindstrom, 2012). As a facilitator and specialist technician in a psychology laboratory, I explored technological experimentation in fashion using eye-tracking technology (image 1). This emphasized the critical role of technical resources in gaining insights into eye fixations on aesthetics and brands within the fashion industry (image 2).

Tobii Eye tracker
image 1.Tobii eye tracker
Eye tracking technology and timeline
Image 2. Eye tracking technology with timeline

In my role as a specialist in eye tracking, I engage in profound discussions with students, valuing their perspectives on fashion aesthetics. Their critiques provide invaluable assessments of art and emphasize the significance of insights derived from the learning journey. This approach underscores the essential nature of ongoing growth rooted in reflective conversations with students, echoing the principles of critical reflection and learning democracy advocated by Brookfield (1995).

Memorable cultural moments at Davos include the Afghan Women’s Orchestra’s performance in 2017 and the Sphinx Virtuosi Chamber Orchestra’s presentation, showcasing talented soloists from African American and Latinx communities. These instances resonate deeply with my personal ethos, emphasizing the importance of recognizing diverse voices and promoting authentic expression in the classroom. Consequently, I advocate for critical reflection on expression rights, challenging restrictive criteria hindering opportunities for engagement and professional advancement in the classroom, between sessions, and outside the classroom. WEF at Davos offers hope that business leaders will integrate artistic perspectives into global change agendas.

References

Becker, C. (2019) How art became a force at Davos. World Economic Forum. Essay, articles and lectures. Available at: https://www.weforum.org/agenda/2019/how-art-became-a-force-at-davos/ World Economic Forum (weforum.org)(Accessed 22 February 2024).

Barnett, R. (2021) Towards the Ecological University. A concept note from Ronald Barnett. Futures of Higher Education – UNESCO-IESALC. Available at: https://www.iesalc. unesco.org /eng/wp-content/uploads/2021/02/Barnett-EN.pdf (Accessed 22 February 2024).

Brookfield, S.(1995) Becoming critically reflective : A process of learning and change, in Brookfield, S. (ed.) Becoming a critically reflective teacher. San Francisco: Jossey-Bass Publishers, 79, pp. 1-296. Available at: Becoming a critically reflective teacher : Brookfield, Stephen : Free Download, Borrow, and Streaming : Internet Archive(Accessed 22February 2024).

Guido, G. (2019) Finding Hope, the triptych by artist Mehdi Ghadyanloo. Art. Available at collater.al/en/Finding Hope, the triptych by artist Mehdi Ghadyanloo (collater.al) (Accessed 22 February 2024).

Lindstrom, L.(2012) Aesthetic learning about, in ,with and through the Arts: A Curriculum Study. International Journal of Art and Design Education, 31(2), pp. 166-179. doi: 10.1111/j.1476-8070.2012.01737.x.

Platon, A (2013) Hello from Platon. The People’s Portfolio. Available at: https://www.thepeoplesportfolio.org/our-organization (Accessed 22 February 2024).

Platon, A. (2016) Sexual Violence in Congo. The People’s Portfolio. Available at: Sexual Violence in the Congo — The People’s Portfolio (thepeoplesportfolio.org) (Accessed 22 February 2024).

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microteaching

The microteaching aimed to test the psychoanalytic theory of object-relations (Celani, 2010, pp 51), emphasizing the importance of early relationships, but it also highlights the critical consciousness built in relationships (Freire, 2021, pp 44). Two teddy bears symbolized childhood connections (image 1). Participants were instructed to draw a significant person and discuss their expectations from others at work, inspired by contemplative pedagogy (Wilson, 2021).

objects teddies, microteaching
Image 1. Objects used for microteaching

I requested members to include their responses for significant others in their life in a collective ‘I’ for information. Drawings depicted family members like mothers, grandfathers, and sisters (image 2). Responses varied, with mentions of frustration, love, tolerance, and cultural influence. Some were pleased to see grandfather depicted as happy, while others hesitated to share experiences. One member questioned the relevance of teddy bears to the activity.

significant others
Image 2. Significant Others

I addressed that the teddies were the others who were related to the connections with others.Some felt uncomfortable sharing emotions, which I reassured was normal. One member mentioned that if her partner had joined us he would have left the room. I replied that they had a choice to leave the room. Given more time, I would have gathered anonymous feedback on knowledge and skills they gained ,if any, in managing their current relationships.

Contemplative pedagogy encourages uncomfortable discussions, empowering members to choose their responses (Wilson,2021). Victor Frankl also asserts that ‘‘..our power is to choose our response within which there is growth and freedom’’ (Wilson 2021).

Other team members responded as to what were their expectations from others at work(image 3).  They liked their colleagues to be honest, open, direct, supportive at work, capable of setting boundaries. And others reported they valued mentorship, and have learnt from colleagues who are conscientious, supportive, values oriented , capable of setting boundaries but also disorganized.  Discussion allowed me to communicate that there was a conditional effect in relationships with others.

learning lessons from others at work
Image 3. Expectations from colleagues

Some participants conveyed their feedback (image 4), expressing that they comprehended the task after responding to the inquiry regarding their expectations from colleagues at work. They also regarded the session as enjoyable and found the comparison between love and unconditional relationships in the workplace to be insightful and clever. One member felt he was the wrong audience, others said they linked the activity to their past experiences, relationships and beliefs. My approach of such enquiry about relationships was based on Freire’s notion that any conscious evaluation of social structures ,here work values, if consciously evaluated can bring transformative actions in structure (Freire, 2021). Another individual in classroom mentioned it was beneficial for him to abstain from sharing his experience. Members’ feedback included some frustration, which Larrivee (2000) suggests is a natural aspect of the teaching process (Larrivee, 2000, pp 297). To progress, I plan to inquire if they would consider accepting others unconditionally as a way to facilitate learning. It is important to create a space for feedback, prioritizing transformative changes including openness and trust among team members.

Image 4. Feedback from team members

During another team member’s microteaching, we were tasked with taking a photo of a classroom space and drawing it on paper. I realized the value of drawing in connecting with internal experiences, unlike the frustration I felt with photography. I accepted my limitations in photography skills and learned to tolerate my frustration. Drawing from real pictures allows me to focus on details. I shared with the group that drawing helped me develop tactics. The instructor’s guidance in drawing tactics was invaluable, enhancing my insight. Peer discussions highlighted the benefits of drawing over photography, emphasizing the importance of the instructor’s pedagogical expertise in facilitating learning tactics. Other members utilized technology such googles and historic objects and linked these to motor and drawing skills. Blending various learning elements transformed knowledge into a dynamic fusion of pedagogy and interactive learning experience.

References

Celani, D.P. (2010) Fairbairn’s structural model and his radical approach to psychoanalytic treatment in Celani, D.P. (ed.) Fairbairn’s Object Relations Theory in the Clinical Setting. 1st edition. 51-. New York: Columbia University Press, pp 50-84.

Freire,P (2021) Pedagogy of the heart. London, UK: Bloomsbury.

Larrivee, B. (2000) Transforming teaching practice: Becoming the critically reflective teacher. Reflective practice,1(3),293-306. https://doi.org/doi:10.1080/14623940020025561.

Wilson, C.(2021) A contemplative pedagogy: The practice of presence when the presence is overwhelming. Journal of Transformative Learning, 8(1),52-62.

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Case Study 1:Knowing and responding to your students’ diverse needs

Introduction & Background  

My experience refers to an open access class which I deliver to students once a week. This is to offer supportive learning to any difficulties they encounter with statistics, and the application of statistics to data analysis assignments for the Research Methods Unit. I was unaware of the impact of supportive learning on students’ statistical skills and data analysis that their coursework assignments involved. I was unaware of the impact of one-to-one consultation and questions that if students posed in relation to their data analyses would make contribution to their achievements. 

Evaluation

In the MSc Applied Psychology in Fashion, students tackled Research methods assignments, focusing on data analysis. While some had prior statistics knowledge, others lacked it. A designated day, Wednesdays from 1pm to 4 pm, offered open access for the statistical software in social sciences (SPSS), and data analysis support. Students reserved 20-minutes slots during this period to address specific issues. They submitted technical consultation forms, seeking guidance on statistical tests.

Some students reported that were not confident in using the software and some additional guidance would be a great use of these sessions ahead of time. In addition, I experienced a few students who requested to guide them as to what they had to state on the consultation record form in relation to questions. Other students reported that they had work on Wednesdays and requested different days to meet up for data support.

Students brought their questions into the class,they exchanged ideas with their classmates and through supervised practice conducted the tests. In my opinion this reinforced a pedagogical relationship where students gained knowledge from myself and also from other classmates (Dall’ Alba, 2004).

To enhance students’ learning outcomes, I also conducted SPSS workshops during which I presented the use of relevant statistical tests via fashion psychology research. Students were involved into dialogue discussions and replicated the tests in class, followed by troubleshooting discussion. This approach promoted transformation of self and enhanced a comprehensive data analysis and skills development.

Moving Forward

I provided additional assistance to MSc students unable to attend Wednesday’s open access due to work or statistical challenges, Those booking outside Wednesdays attended face-to-face, discussing hypotheses and justifying test choices for their dissertation topics at mutually agreed times. In other cases students sought in advance guidance on how to use the statistical software even though they had not yet been taught the program during the  teaching sessions. They reported that they lacked confidence. I collaborated with the course leader, and we devised a solution: they were advised to visit the library and consult step-by-step guidebooks. Having familiarized themselves with the suggested course reading, then could bring the questions they developed. Some students came with handy questions based on their statistical needs and were aware of their lack of skills. This reflected a challenge as I had to introduce students to be open to independent learning through a variety of ways and not only dependent on the tutor.

Additionally I will use the Student Needs Framework by Edward Peck and the UK’s Student Policy Network (AdvanceHE, 2023a,b) to address statistical competence and foster a sense of community in my approach. This is how I have translated it to my practice:

  1. Students require a platform or a place for academic exchange, connecting full-time on campus attendees with their remote counterparts and part-time students at a time outside the Wednesdays’ open access.
  2. Interacting online they were able to talk about statistical test concerns, building online communities around shared interests in understanding relevant tests. This helped them form supportive peer connections.
  3. I can direct students to other technicians for specialized technical issues if they cannot attend open access on Wednesdays’ due to work responsibilities.  Specialized technical issues like software installation on Mac laptops, license problems and remote learning challenges could be solved by other technicians (AdvanceHE, 2023a).
  4. Students can share feedback on the pros and cons of peer observation. In open access, I can encourage them to highlight positive outcomes, if any, from discussing statistical queries with peers. This will foster awareness of the implications of peer observation and enhance understanding of knowledge acquisition (Dall’ Alba, 2005). It parallels the teacher’s ontology, emphasizing the need to embody knowledge through diverse teaching methods and competences.

References

AdvanceHE (2023a) Professional Standards Framework for teaching and supporting learning in Higher Education. Advance HE: GuildHE, Universities UK. Available from Professional Standards Framework for teaching and supporting learning in higher education 2023 | Advance HE (advance-he.ac.uk) (Accessed 26 February 2024).

AdvanceHE (2023b) Enhancing Student and Learning in Higher Education: Student Needs framework. AdvanceHE:UK. Available from Student Needs Framework | Advance HE (advance-he.ac.uk) (Accessed 26 February 2024).

CAST (2018). Universal Design for Learning Guidelines version 2.2. Retrieved from http://udlguidelines.cast.org.

Dall Alba, G.(2005) Improving teaching: Enhancing ways of being university teachers. Higher Education Research and Development, 14(4),361-372. Routledge. Available from https://doi.org/10.1080/07294360500284771.

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workshop 2:Article:How do art and design technicians conceive of their role in higher education?

This study by Sams (2016) used a focused case study method to explore the role of technical staff at University of the Arts London. It employed “photovoice” to visually depict technicians’ multifaceted role in art and design education, revealing three key themes: support, assistance, and instruction.

This study found that technicians share expertise in specialized equipment, with a shift towards a teaching-oriented role reported by students. This resonated with my experience teaching eye tracking. Recognizing the importance of specialized skills, I conducted a workshop on Tobii software and eye trackers. Despite the challenge of mastering new technology, I sought specialist training, completing an online interactive course. This training equipped me with skills in data collection, visualization, and analysis, including measuring eye movements and pupil diameter within image recordings(image 1, image 2).

fixations on logos
Image 1. eye fixations on logos
measuring eye fixations
Image 2. Eye fixations on typology

In the realm of art and design education, instructors often encounter challenges related to both teaching quality and the availability of proper equipment. This has been a reflection of my own experiences, particularly when I was teaching eye tracking techniques. I noticed a significant deficit in specialized skills required for this task. Despite the presence of eye tracking equipment within various departments, there was a clear lack of technical expertise to effectively utilize it. This meant that departments lacking technical proficiency had to rely on specialist technicians to teach the equipment. This equipment, crucial for conducting psychology experiments, could precisely measure attention and specific human behaviors.

Moreover, this situation underscored the need for better coordination among different units and departments. For example, fields like media, technology, and psychology often intersect, necessitating a collaborative effort to foster shared values and promote entrepreneurship education (AdvanceHE, 2007). In fact , only ten per cent of specialists deliver entrepreneurship education in course curricula (Advance HE, 2007). This personal interaction illuminated the broader organizational obstacles surrounding resource distribution and interdisciplinary collaboration within the realm of art and design education, specifically highlighting the crucial role of specialists in aligning course content with real-world applications (AdvanceHE, 2007). In 2006, the Cox Review highlighted the mutual benefits and closer connections between universities and small businesses, stressing the vital role of specialists. Universities can leverage specialized expertise and research capabilities, while also accessing talent acquisition and prototyping facilities.

Sam’s 2016 study revealed that technicians voiced feeling undervalued for their artistic abilities. This underscores the significance of interdisciplinary communication. From my own perspective, this underscores the necessity of promoting collaboration between departments in educational environments to exchange creative knowledge. The viewpoints of technicians greatly shape their professional trajectories. Hence individuals engaged in creative education, should effectively convey to managers the necessity of departmental support for cultivating specialized expertise, as emphasized by Brown in 2015.

References

AdvanceHE (2007). Entrepreneurship Education for art, design and media students. The Higher Education Academy design Media Subject Centre and the National Endowment for Science, Technology and the Arts. Available at: Creating Entrepreneurship: entrepreneurship education for the creative industries | Advance HE (advance-he.ac.uk) (Accessed 15 January 2024).

Brown, R. (2015) . Teaching quality in Art ,design and Media, in Ellis, R. and Hogard, E. (eds.) Handbook of Quality Assurance for University Teaching. 1st edn. London: Routledge Publisher .eBook ISBN9781315187518.

Creative Blog Staff (2006) The Cox Review , Computer Arts, 3 April. Available at : https://www.creativebloq.com/computer-arts/cox-review-4069771 (Accessed 15 January 2024).

Sams, C. (2016). How do art and design technicians conceive of their role in higher education?. Spark:UAL Creative Teaching and Learning Journal, Vol 1(2), pp. 62-69.

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